Introduced to you through our interview, from Saturday on our friend and Milan-based artist Marco “Pho” Grassi will show his latest works at Circle Culture Gallery Hamburg (read his interview with IWISHUSUN here). The solo show which is titled [Plù-ri-mo] will overview his most recent artistic research by displaying a selection of multiple materials (“Walls”), ceramics, works on paper  (“Monotypes”), as well as his new “Rayographies” – even though he variegates materials, concepts and techniques, at the second glance all seem to be connected with each other and keep a coherent aesthetic. No matter what media Grassi has chosen, the used material enters into a direct dialogue with its medium provided.

The “Walls” series which Grassi started in 2012 is composed of found objects and detritus from urban public spaces that he utilises as a subsurface for his strong and expressive abstract paintings. The artist also presents a new series of ceramics which were crafted in collaboration with the famous crocker Marco Tortarolo in 2013. As with ceramics, the “Monotypes” paper works – also part of the exhibition - emphasize the intrinsic need of the artist to commence a dialogue with different materials. Furthermore, Grassi introduces two selected “Rayographies” of his most recent project called “Le Grand Verre” that were produced in collaboration with the artist Matteo Bologna.

If you are in Hamburg, make sure you don’t miss the show! Check out a preview of his exhibited works here.

Thank you for this nice photo, Marco Pho Grassi. You are your jacket are a perfect match!

We don’t mind the cold because our ultralight down jackets keep us warm! Check out our down jackets that will keep you warm and at the same finance a cataract operation in Bangladesh with every jacket sold. Shop them here.

Also, don’t miss to check out Marco’s interview with IWISHUSUN here.

Photo: Marco Pho Grassi.

Christmas is a time for giving and what could be better than to get a beautiful, highly desired art work and at the same time to do good to make the festive period a happy one for others?! Buying our products is good for you and good for others since with every item sold an eyesight will be saved but we also want to introduce you to another opportunity to give back to the people in need: once again LUMAS and artnet Auctions present their annual charity  auction, “HELP US BUILD A SCHOOL IN MYANMAR” 2013. 18 sold out pieces from LUMAS’ portfolio are currently auctioned and 100 per cent of the funds raised will go to the Amara Foundation e.V., which will use the donations to finance the construction of a new school in Burma (also known as Myanmar).

In 2008, typhoon “Nargis” left a trail of destruction through the country. Much of the population is still without basic services, as reconstruction and repair is a long and arduous process. To not let this disaster ruin a child’s life, LUMAS and artnet Auctions will use their profit to finance the construction of a new school in a village at the foot of the Pyapon River in Burma. Additionally, LUMAS will support the school’s operating costs for the first three years.

By indulging in a beautiful work of art, you can help give these children a more promising future. Learn more about the LUMAS charity auction 2013 and its presented art works here.

More art works:

Picture 1: Günter Rössler: LUMAS CHARITY AUCTION: Gisela, 1968. Collage: more auctioned art works. Photos via artnet Auctions.

Deep in the Joshua Tree National Forest, in the deserts of California, artist Phillip K. Smith III revealed his beautiful architectural play of light, the so called “Lucid Stead” installation. An optical illusion, Phillip K. Smith III who received his Bachelor of Fine Arts and Bachelor of Architecture at the Rhode Island School of Design and often experiments with light and its reflections proves how simple it is to irritate our perception but also the transformational possibilities of light. Smith states, “Lucid Stead is about tapping into the quiet and the pace of change of the desert.  When you slow down and align yourself with the desert, the project begins to unfold before you.  It reveals that it is about light and shadow, reflected light, projected light, and change.”

Composed of mirror, LED lighting, custom built electronic equipment and Arduino programming amalgamated with a preexisting structure, this architectural intervention seems alien in the context to the desert area and at the same time easily fit in it. As the sun moves the house’s appearance changes and turns it into an almost spiritual experience.

Phillip K. Smith draws inspiration from the reductive logic of minimalism and the optic sensation of California’s Light and Space movement. Learn more about his work and his solo exhibition of light works at royale projects which will open on November 29 2013 here.

All images via Archinect. Photo 1: Lucid Stead by Phillip K. Smith, III. Photo: Steve King. Photo 2: Lucid Stead by Phillip K. Smith, III. Photo: Lance Gerber.

If our announcement of Jaybo‘s current solo show at Kallenbach Gallery in Amsterdam got you interested in our ambassador’s work, you can learn more about the choices an artist makes when creating in this interesting short film by Rogier Postma:

Proceeding on the assumption that different artists have different focus disciplines and workflows “but they all make something out of nothing”, Postma asks artists such as Jaybo to share their origination process through one of their works. You can check out Jaybo’s way of working above.

Jaybo also supports our cause – read his interview with IWISHUSUN here.

Amsterdam’s Kallenbach Gallery is currently the site for Jaybo‘s new show “The Space Between”. For the first time our friend and supporter (check out his interview with IWISHUSUN here), the Berlin-based artist Jaybo Monk holds a solo exhibition in the capital of the Netherlands which shows an entirely new body of work made on paper, wood and canvas. 12 works, some paper sketches and 3 small installations are on display from this day forward – “The Space Between” not only offers the very unique opportunity to see Jaybo’s first ample experiments with oil as his artistic working material but also to witness an artist’s history in the making: the focus on poetry gets more and more important and so Jaybo’s paintings are accompanied by poems; a poem related to the title of the pieces which is the basis of every work comes along with every painting: “first with the automatic writing of the morning, then put in place around midday” and from afternoon to the evening he would paint on canvas or wood or paper.

It all started with this poem:

Sibylle Breitbach

Founder of WASTED Management – Berlin

“I’ve always been fascinated by meeting new and interesting people, cultures and places,“ says Sibylle Breitbach about herself. In the past the likeable Berliner-by-choice has proven that she knows very well how to make the best of her natural curiosity and at the same time support other people, without any pressure but in an on-going organic process. Her curiosity also led her to a stint working at Germany’s Ministry of Justice but then moving on to Cologne’s Chelsea Hotel in the early nineties, which was soon loved by the creative circle and music scenes. Here Sibylle met German actress and then VIVA moderator Heike Makatsch with whom she would pass into a new chapter of her life: in 1995 the intense working relationship between Sibylle Breitbach and Heike Makatsch led to the foundation of WASTED Management, an artist management agency with a comprehensive service, which developed over a period of time; the actress being Sibylle’s first client.

Since then WASTED Management has expanded, but those who presume that time and success has changed the intimate approach of Sibylle’s work will be disabused: anyone who thinks that her agency’s emphasis on a close cooperation between client and agent are nothing but empty words, will immediately change their minds as soon as they get to know Sibylle. She proves that professionalism and humanity, along with a strong commitment to and interest in your environment can go together very well. No wonder she immediately had a positive feeling about IWISHUSUN from the first time we met. That’s why we are very glad to introduce you to Sibylle Breitbach as our friend and supporter who appreciates our cause. A very warm welcome!

WASTED MANAGEMENT represents the actresses Heike Makatsch, Sibel Kekilli, Alexandra Neldel, the TV presenter/author Tine Wittler, the directors Feo Aladag and Miriam Dehne and the photographer Roman Walczyna–public figures whose works are mainly or at least partly characterised by visuality.
But what is more important to YOU, the sense of sight or taste? 

Definitely sight! Sight allows you to be surprised by beauty in a way no other sense does.

You founded WASTED Management in 1995–a decision that was closely linked and influenced by the intense working relationship with your first client, German actress Heike Makatsch. Did this close cooperation remain essential for your whole work?
Yes, absolutely. When we started working together we were just like kids – naïve and full of energy. The core of my business grew organically out of our relationship. Working with someone like Heike who is honest, determined, highly talented, very intelligent and brave made me realise the kind of business I wanted to run.

Placing a strong emphasis on personal connections with your clients, on a close-partnered way of working opposes itself to conventional methods. Do you think this is the future of management?
It’s a broad market and many approaches are valid. The only thing I can say for certain is that this approach works best for me. By working in a close partnership with my clients and really getting to understand them as individuals we can develop ourselves and our projects in a manner that is both organic and dynamic.

WASTED Management is working hard on realising its clients’ dream, hopes and goals. But what about you–what are you dreaming of?
I’ve always been fascinated by meeting new and interesting people, cultures and places. I’d love to become more internationally involved.

When was the last time you gave back and what did you do?
For me it’s the little things that count and our relationships to other people. Making kindness a habit is an ongoing process of mine. There is no final destination here but the journey is fun.

Do you have a vision to make this place a better one?
I’d like to think that by doing the right thing by myself and other people it makes a difference.

What is the most beautiful thing you ever saw?
Discovering a place that I felt and still feel deeply connected to.

What would you like to see more often?
The only thing I miss more than my friends from the Maldives is being there with them.

Sunrise or sunset–what do you prefer?
I love both, and the contrast.

Who is your personal hero?

I don’t believe in putting someone in a position of a hero. But there are qualities I admire in people. I admire people who have the clarity of vision to see what’s wrong in the world, the moral character to want to change it and the bravery to take action.

What´s your picture for IWISHUSUN?

The picture below. I had no idea where Roman (the photographer) was taking me. We drove through countless plastic tourist towns, cycled 8 km through a damp forest and my heart sank. Suddenly this beautiful ocean vista appeared before us taking me completely by surprise. “Beauty is truth, truth beauty.” (John Keats)

Photography: Roman Walczyna.

AARON ROSE

artist, writer, musician, film director, independent curator, photographer & publisher – Los Angeles

Born in Portland in 1969, Aaron Rose has to be praised as one of the cornerstones of the contemporary art movement who doesn’t get tired of working multidisciplinary and being in uncharted water. An artist, writer, musician, film director, independent curator, photographer and publisher who is currently based in Los Angeles, Aaron Rose is a true multi talent: In the 1990’s he founded the influential Alleged Gallery in New York and at the same time he worked as a producer and director for MTV Networks, collaborating with then budding directors Mike Mills, Spike Jonze and Harmony Korine among others. After 10 years he bowed out of his responsibility for Alleged Gallery in 2002 to continue working as an independent curator. At Los Angeles Museum of Contemporary Art (MoCA) Aaron Rose co-curated the large-scale “Art In The Streets” exhibition in cooperation with Roger Gastman and Jeffrey Deitch in 2011. Also, Rose is signed as a director with the Los Angeles company The Directors Bureau which also represents Wes Anderson, Mike Mills, Roman and Sofia Coppola.

Above all, the majority of people will probably know his pop-folkloristic art works, his various films and shorts but most of all his world touring show “Beautiful Losers”, followed by an award-winning documentary of the same name in 2008. A semi-autobiographical piece about the pressures of being a young artist, the film and the tour introduce us to the loose artists’ collective that was close to Aaron Rose’s Alleged Gallery in the early 1990’s: illustrators, designers, photographers and filmmakers like IWISHUSUN ambassador Cheryl Dunn, Shepard Fairey, Aaron Rose himself, Barry McGee, Mike Mills, Ed Templeton, and Harmony Korine. Now being some of the icons of contemporary pop culture and urban influenced art, back then these creatives, often self-taught, worked outside the mainstream and were inspired by street style and the subcultures of punk, graffiti and hip hop, embracing a DIY aesthetic so they could „make something out of nothing“ – just as Rose puts: “The avant-garde today is the establishment of tomorrow. There’s now wax around it.”

We appreciate Aaron Rose’s work ever since and therefore we are very happy to introduce the inspiring creative chameleon and self-declared beautiful loser to you via this interview. A very warm welcome!

If you happen to be in Berlin in September or in October, don’t miss his „Cults“ show at Circle Culture Gallery. Read more about this solo exhibition here. 

What is more important to you, the sense of taste or sight? Why?
 
Sight is infinitely more important to me! I’m an artist not a chef. In fact I can’t cook anything! Not even pasta! I use my eyes for every single thing I do. I’m addicted to beauty, visual beauty. I love color. I love shape. My personal experience of the world is very connected to my seeing.

You are a creative person. What is your vision for your personal work?

Like most artists, I long for a connection to other people. I’m a storyteller. I believe that is why I work across so many different mediums. There are so many ways to tell stories! Even if those stories are my own, I hope that people will see something of themselves in my work. I want to tell the story of out times. I believe that is the artist’s job.

A few years ago you decided to stop complaining about schools and founded your own school, called “Make something,” that offers creative workshops for children and involves a lot of artists of your past “Beautiful Losers” show and film. Is this school your sequel to these? 
Ironically, I started Make Something!! because I absolutely hated school. Especially art school. After art school I was unable to be creative for almost five years. It killed the joy of creation in me. Everything became very regimented, considered. I believe art should be free! For years I complained about this, until one day I got sick of listening to myself and just said, “Aaron, why don’t you change it?” So I wouldn’t say that Make Something!! is a sequel to anything, it’s just an extension. I would never want a young artists to have to go through what I did as the result of education.

Are children “better” artists?
I wouldn’t say that children are better artists than adults, they just haven’t been closed up yet. They don’t over analyse their work. That’s a good lesson.

What is your utmost concern in art?
Connection. If art doesn’t connect with an audience it is not serving its function in society. I worry about this the most in my own work.

Pieces of luggage are often part of your artistic work. Are you a passionate traveller or can it be seen as your personal interpretation of street art characteristics?
I love the dimensionality of three dimensional objects. There is something fantastic about having five different panels intersect the way they do on a suitcase. Plus, I like the idea of recycling, and also pushing art off the idea of it just being a standard square canvas on the wall. Of course, they also have so much meaning in terms of movement, travel, relationships. There are so many personal histories in each piece of luggage. Whose was it? Where did they take it before I acquired it? Who were they with? I can feel the energy in the cases. It’s funny though, for my newer works, I’ve decided to go back to painting on canvas. I guess life just runs in circles. There’s no way around it. I still love suitcases though!

In an interview with Gestalten.tv you claimed that you are addicted to make things and your steady multidisciplinary work proves it true. So you already made a lot of things but what has still to be done?  
If I stopped having ideas today, I would still have enough in reserve to last me my entire life! I would of course love to develop more in the crafts I already practice, but also try new things. I’ve been thinking about starting a memoir, and also about choreography. I love dance and I have some interesting ideas for dance performances.

In 2008 The Selby visited you at home and asked you to tell him why collaboration is better than competition. Four years ago you answered: “Being friends with people is just way better than not.” That is how we all wish the world would be like, but is this possible in real life?
I actually still believe the same thing! I think it is possible. So much of it depends on how honest you are able to be with yourself. In every altercation I’ve ever had with another human being, I have always had some part in it. Most disputes can be settled over a cup of coffee!!! Nobody wants to carry the energy around from a grudge.

What is your tactic for making the world a better place?

I don’t expect grand gestures from life. I just try to do lots of little things that help make people’s lives better in small ways. Maybe at the end of the day they’ll all add up to some sort of positive influence on the planet?

When was the last time you gave back and what did you do?
I do this all the time, but I don’t consider it giving back. It’s just the way I believe I should live! I do things for people every week. Sometimes these are small things, like introducing someone to another person that might be able to help them. Some times I work with established charities. Usually I just try to give support to people who I believe are trying to make the world a better place. This could come from anywhere! Sometimes it’s about doing some artwork or a film for an organization that’s doing great things, sometimes it’s just making sure I buy my lunch from an independent restaurant and not a large corporation. There are many ways to give back.

What is the most beautiful thing you ever saw?
My wife on our wedding day.

What would you like to see more often?
I would like to see creativity become more a part of the fabric of our human experience, not just something we consume for entertainment.

What is your picture for IWISHUSUN?

The gift of sight has made me the person and the artist I am today. If there is anyway that someone can contribute to helping another person experience the beauty and wonder of this life experience then I completely stand behind it!! It’s important work.

Photo: Jen Siska.

“My work is a journey into the bits and pieces of my memories. I am working with the methodic of chance, which means, I let things happen without trying to get any meaning into them. I neither know in advance what it is meant to look like nor during the process what I am aiming at and what to do about getting there.” Jaybo Monk who has been indispensable for IWISHUSUN’s formation has dedicated his work and origination process to spontaneity, to the single moment itself that will define the eventual outcome. What seems to start as a sequence of coincidences turns out to a coherent piece. If you are in Los Angeles, you can check out the latest outcomes of his artistic method: Soze Gallery currently presents a new series of Jaybo Monk’s paper works, called “Paper Tears.”

Jaybo continues: “Drawing is a blind, beautiful and desperate effort to be surrounded by the incomprehensible In this particular pieces, I try to keep influence playing with me during a travel to Portugal to see how it will affect the work. I started all pieces in Berlin, let them evolve in Portugal, than finishing them in Berlin. Some of the title has been selected before the drawings, some after.”

See more of Jaybo’s paper works here.

Jaybo Monk: ”Paper Tears”, 10 August – 10 September 2013, Soze Gallery, Los Angeles.

Photos: Soze Gallery.

His futuristic, Latex-clad Mutants are irritating and fascinating at the same time: searching for the beauty in ugly, the Dutch designer Bart Hess has spent years making his mutants which now have been exhibited at the Saatchi Gallery. On the occasion its 20th anniversary Hugo Boss chose him to design an exclusive one-off piece among 19 other renown international artists. Dazed & Confused met Bart Hess for an interview and the result is worth reading:

Dazed &  Confused: Let’s talk about “Mutants”. When you subvert the human figure are you trying to shock, disturb, repulse us—or are you defining a new vision of beauty?

Bart Hess: I think the latter, because as an artist, its the most interesting boundary to work within. I love how tribes—especially from non-Western cultures—define beauty. For us its shocking, but for them its really beautiful. I want to challenge my audience to decide for themselves.

DD: What inspired you to do “Mutants” in the first place?

BH: I was fascinated by the idea of physically morphing the body in reality, liquifying and sculpting it with the use of Latex . Its almost like 3D modeling, but in real life. I was also inspired by “Space Odyssey 2001″, “Terminator 2″, and Italian Futurism.

Don’t miss to check out the entire interview here!

Photo Bart Hess. via Dazed Digital.